From the newsroom · Published 24 Aug 2026
Keep asking
“so what?”
How I move from a dense report, technical product or unfamiliar subject to a clear story the reader can understand and use.
I do not begin a complicated story by trying to sound like the expert. I begin as a student. I need to understand what is happening, who it affects and which decision sits underneath the noise. Then I ask “so what?” as many times as it takes.
Find the decision inside the subject
A complex topic often arrives as a pile of information. There may be a long report, several technical terms, a set of competing claims and more background than any reader needs at once. My first job is to work out what the reader is trying to understand or decide.
When I wrote about trade finance as an income strategy, the task was not to explain every part of the market. An investor needed to know why the opportunity existed, how returns were generated, where the risks sat and how the strategy might fit alongside other income assets. Those questions gave the research a shape.
Start as a student
I am comfortable saying I do not know enough yet. That is useful when the subject is unfamiliar because it forces me to establish the basics before I reach for a conclusion.
I read the primary material, map the public arguments and identify the people who have dealt with the issue firsthand. I want to understand their incentives, the language they use and the problems they are actually trying to solve. That gives me enough understanding to ask a better question and test the answer.
Ask “so what?” until the point is clear
A moving data point still needs a story around it. Suppose inflation comes in above expectations. So what? It may change the expected path of interest rates. So what? That can affect the dollar, bond yields, equity valuations and the cost of capital. The links matter because markets do not move in neat silos.
The headline tells the reader what happened. The work earns its value by showing why it matters and what could come next. Repeating “so what?” helps me move from the event to the consequence without filling the piece with information that never becomes useful.
Speak to the people doing the work
People who have done the work usually know where the real difficulty sits. They can explain which part of a process breaks, which assumption fails in practice and which risk looks very different from inside the business.
That is why interviews are central to how I report. I prepare around the business model and the reader’s question, then leave enough room for an answer to change the direction of the story. The most useful moment is often the one that makes a complicated subject feel manageable without pretending it is simple.
Look for the pattern and the disagreement
One source can give me a strong view. Several sources help me see whether it is a pattern. I listen for the points people keep returning to, but I also look for the person who sees the issue differently.
A contrary view tests whether the main argument can stand up. I want to know what would change a source’s mind, which evidence would weaken the thesis and where genuine uncertainty remains. A balanced story should tell the reader precisely what the conclusion depends on.
Plain language is part of the reporting
Financial writing sometimes treats jargon as proof of expertise. I see the opposite. If a technical term is necessary, it should be explained. If it does no useful work, it should go.
I want someone who is new to the subject to follow the argument without frustrating someone who already knows the field. That means keeping the language direct while preserving the evidence, qualifications and mechanics that make the explanation credible. Clarity comes from understanding the subject well enough to make every part count.
End with something useful
Not every story produces an immediate action. Sometimes the useful conclusion is a risk to watch, a question that remains open or a reason to wait for more evidence. The reader should still leave knowing more than when they arrived.
That is the standard I bring to financial content and editorial strategy, as well as breaking news, long-form reporting and executive interviews. Find the central point. Test it properly. Explain what it means. Give the reader a way into the subject and a reason to stay with it.
Editorial conversations
I enjoy the point where a difficult subject begins to make sense. If you are building an editorial product, commissioning a complex financial story or hiring for a role where that approach could help, I’d welcome a conversation.
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